About
In late 2011, epidemiologist, writer and adventurer Elizabeth Pisani granted herself a sabbatical from the day job and set off to rediscover Indonesia, a country she has wandered, loved and been baffled by for decades. She was on the road and the high seas for a year, covering dozens of islands in 27 provinces. This site records photos and musings from that journey and beyond. See more about the project


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A whale of a time in Eastern Indonesia

Whale meat hung out to dry

On the line: Whale meat drying in Lamalera, Eastern Indonesia

I’ve just spent a few days hunting whales in Lamalera, on the eastern end of Lembata island, off Flores. We didn’t have much luck, but last week, there was something of an end-of-season bonanza: in rickety wooden boats and using only long bamboo harpoons with rusty metal tips, the lads of Lamalera (and they are definitely Lads) brought in six whales. They get hacked up on the beach, which is littered still with spines and skulls.

Whale bones on the beach, Lamalera, IndonesiaHunting whales and dolphins in Lamalera, Indonesia

Every household gets its part: when I arrive the whole village is garlanded with shriveling flesh, dripping oil. It stinks. I hate to keep harking back to my past life, but when we were writing questionnaires for sex workers, the boys from Statistics Indonesia and I had long arguments about how to describe symptoms of chlamydia and other STIs in women. In the end we settled on this delicate formulation: a vaginal discharge “yang bau kurang sedap” (“that smells unfragrant”). Now I’ve got a new suggestion: “a vaginal discharge that smells like Lamalera”. The whole village exists in a miasma of stale fishiness; since dried whale meat is virtually the only protein on offer, that stuck-in-the-back-of-your-throat stench surfaces on the dinner table, too.

To punish me for my uncharitable thoughts, the whale Gods saw to it that the villager sitting next to me in the truck leaving Lamalera spilled a bottle of fish oil over my backpack. A little, portable miasma which at least creates space around me in overcrowded buses.


For readers in Britain, here’s a BBC feature on the whale-hunters of Lemalera:

Twenty years on: warrior-in-waiting heads Sumba village

For my 30th birthday, my mother framed school reports from the time I was 12 or 13. “Elizabeth is far too fond of the sound of her own voice” and “she sometimes sails too close to the wind for comfortable passage in the flotilla.” Are we really set in stone by the time we reach our teens?

I had cause to wonder this week, as I wandered West Sumba in search of people whose photos I had taken 20 years ago. One of my favourite pictures was of a young boy dressed up for the pasola jousting festival. He was too young to take part, but that didn’t stop him challenging the camera with a “you wait, I’ll show you” sneer.

Incurable I'll-show-you face

Pelipus Pekaba, photographed by Enny Nuraheni in 1991

Showing the pictures at a friend’s house, some one piped up: that’s Pelipus. That’s our Kepala Desa. The kepala desa, or village head, is now an elected position, arguably the one that has the most influence on people’s day to day lives in remote rural communities such as Gaura, where we were at the time. We went off to find Pelipus; he was preparing for the ceremony that marks the negotiation of a dowry. It starts with reading the entrails of a dog (provided by the bride’s side), to determine whether the partners are well-matched. The groom’s side is secretly hoping for bad omens, not necessarily because they want to see an unhappy marriage, but because a bad prognosis brings down the dowry. There’s no point holding out for too many buffalo if you’re going to have to return them when the couple divorces. Second order of business is to slaughter and roast a pig (also from the bride’s side); no serious bargaining can take place until everyone has eaten their fill. So Pelipus was busy, but not too busy to have a look at some old photos. The party oohed and aahed over pasola heros past and present. And then the village head found himself on my iPad.

He agreed to be photographed again, after he had wrapped himself into his party clothes. He told me that he had dropped out of school shortly after that first picture, and become a thief and a cattle rustler. It wasn’t until he got married and had a child that he saw the light and decided that the life of a local leader might be more palatable. (Delsi, a young Sumbanese friend who teaches high school, commented: “It’s a good strategy, to make the naughty ones head of the class. But it doesn’t always work.”)

Baby warrior turned village chief

Pelipus Pekaba, photographed by Elizabeth in 2011

That “you wait, I’ll show you” look is still there, though when I bumped back along the 15 kms of unpaved road the next day to give him the prints of the “Then and Now” photos, he was looking a little the worse for wear — the dowry negotiations had continued until dawn. He and his companions had bargained a starting offer of 15 cattle up to 40 head of buffalo and horses. It would not surprise me one bit to come back in another 20 years and find that Pelipus is head of the West Sumba government.

Peliplus in his current and former incarnations



Spinning around Sumba

Sumba is well known for its weaving; back in the day, villagers used to wait til the pods of the kapok tree kapas bush burst open to yield their cotton, then patiently spin it in to thread with nothing but a little wooden top (a jenny? am I making that up?) gyrating on a broken plate fragment. It’s rare these days. Trying to follow all the steps involved described by Mama Lakabobo, shown here with a whole year’s production, I could understand why.

Thread and fabrik made of kapas

The older spinners’ place has been taken by little boys with warring spinning tops. The loser of the last round sets his top spinning first. His opponent’s job is to knock the first top off balance, while leaving his own spinning merrily. Witness here the Great Spinning Top Wars of Waikabubak.